Observation
At first glimpse, one notes a
possible triskelion (http://en.wikipedia.org/wiki/Triskelion),
symbol of Sicily and the Isle of Man; and maybe there’s something to
it.
Flag of Sicily |
Flag of the Isle of
Man |
Guadalajara crop
circle |
But closer inspection reveals a
tone-arm, and the spiral grooves of a phonograph record; in
particular, a 45 rpm record for the “triskelion” at centre
disk appears to be the adapter (Image A) with which to play a 45 rpm
recording on a variable-speed turntable with 33 1/3 rpm
center-post.
Incidentally, those
unacquainted with a “20th Century antique,” such as this
one, may not be aware that table-top and console phonographs were
frequently equipped with a tall centre spindle that allowed multiple
recordings to be stacked and mechanically dropped onto the spinning
platter, one after another. So, what we see is the portable
“pick-up” type that came with short center-post only (Image B). Is
this important? I can only say it’s consistent with popular music;
and in particular, during the period in which 45 rpm “hit singles”
fought a losing rear-guard action against 33 1/3 rpm long-playing
albums, which “drove them from the music scene”—the early-to-mid
1960s.
The tone-arm apparently has
played to the end of the recording because one sees it pressing
against the triskelion adapter. In a moment, it will robotically
lift and return to its pre-play starting post, there to rest or
begin again, depending on how the machine has been configured by the
audiophile; that is, unless it’s the least expensive (most portable)
type, in which case the tone-arm, lacking a robotic return,
continuously jerks back and forth in the landing groove, awaiting
the hand of the audiophile, who must manually lift and return it.
Curiously, the device appears
as a “mirror image” of itself for the relationship of tone-arm to
adapter indicates counter-clockwise spin; unless it plays from
inside out?!
And so, it seems the
circle-makers are reprising the technology of mid-20th
Century take-along popular music. (Do I go too far in specifying
take-along popular music? I think not because this is an
inexpensive portable record-player—a “pick-up”—shunned by serious
audiophiles, “long-hair” devotees of classical music, jazz or other
genres; furthermore, the 45 rpm format can mean only a pop genre hit
single.)
Discussion
Assuming the recording does not
play from inside out, the relationship of tone-arm to centre adapter
indicates the circle-makers wish to call attention to an imminent
choice:
·
Allow the device to robotically start over (or manually cause it to
do so) and play the same recording again—perhaps repeatedly
(if enjoyable, why not?!); or
·
Change records, and play something new.
But if the circle-makers are
calling attention to an imminent choice, then why popular music
of the mid-20th Century?! Of what significance can
it be? Besides, isn’t it too late to do anything about 20th
Century pop culture; or anything else for that matter?
The image is therefore
ambiguous for, unless it’s a metaphor for something else, one must
reconcile the imminent choice with the historical past—“finita
la musica, passata la fiesta.”
When was, or is, the choice to be made? Was it not decades ago?!
And if, somehow, it’s possible to do over, does one change
now, or play the same “tune” again? I suppose it depends on
how well one likes the tune . . . unless one plays it in
reverse?!
Image A - 45 rpm
adapter |
Image B - “Pick-up”
phonograph with 45 rpm record and adapter on 33 1/3
short center-post |
And if played in reverse it yields the same meaning,
then it's a kind of latter-day technological, vice literary,
palindrome (!), and symbolic of the Ouroboros, the mythical
creature that consumes itself by the tail and is reborn ad
infinitum!
John Del Campo Falls
Church, Virginia